视频简介
马德里,2019年。一个连环杀手正在制造混乱。无明显关联的匿名人士在模仿最著名的超级英雄的首次亮相时被谋杀。科斯梅是他所在警局里最优秀的侦探,但即将违背自己的意愿退休。戴维即将接任他的位置,但他年轻冲动。双方将执行一项任务,将一个他们完全不熟悉的游戏的片段拼凑起来。在这次冒险中,他们将得到豪尔赫·埃利亚斯(科斯梅的儿子、可爱的书呆子兼一家漫画书店的老板)和诺玛(他们的局长,也是一名漫画和角色扮演的爱好者)的帮助。他们认为,有时候你必须整装待发,走出舒适圈,才能让这个世界变得更美好。也许,现在就是绝佳时刻之一。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。泰莎是一位年轻有为的律师,热爱胜利。她从工人阶级出身一步步成长为顶尖律师。她不对客户做价值判断,不相信一面之词,甚至不相信自己的直觉,她只相信“法律下的真相”,法律与系统会做出最接近真相的判决。但一个意外事件迫使她直面父权制下的法律、举证责任和道德之间的分歧。。